Showing posts with label Oddisee. Show all posts
Showing posts with label Oddisee. Show all posts

12.24.2011

30 Great Tracks from 2011 - Part Two: The Convergence of the Twain

Welcome to Part Two: The Convergence of the Twain in my amazing two part 30 Great Tracks from 2011 Playlist. Last time we covered the first 15 tracks. And I'll remind you that these are not ranked, they're just in an order because well, every track list needs a beginning, middle and end. So, before I tackle 16 - 30, let's talk about something that's complicated. That thing is this very thing, the creation of a list. The problem is that we (and here I mean I) are absolutely, definitely, undeniably going to mess it up and forget a few tracks that were still exceptional in their own right. Last year I pretty much left Mumford & Sons off altogether. That was mostly just a mistake, a true and honest oversight. You see, it's a sin to have to make a list because you MUST leave something out. I could make a playlist that's 1000 songs long, but who in their right mind cares for that long... that's at least 3000 minutes, or 50 hours. No one wants that.

So, here are a few of the bands I've neglected to include, but whose work made 2011 an epic year: Fleet Foxes, Amerigo Gazaway, James Blake, The Black Keys, She & Him, Fruit Bats, Vetiver, The Head and the Heart, Josie Charlwood, The Weeknd, Lil Wayne, Chad VanGaalen, Friendly Fires, Austra, Panda Bear, Dustin O'Halloran, Pink Hawks, The Dodos, Bill Callahan, The Strokes, Toro Y Moi, Gruff Rhys, The Dears and many, many more... You should check each and every one of them out. Just open those links in tabs so you can keep going here? Thank you.

Okay, so now that we've all got a little perspective on who has been left out, let's see who found spots among 16 - 30! As in Part One, you can find the list through Spotify or ShareMyPlaylists.com by clicking either of them pretty links right there.

16. Bon Iver "Perth" from Bon Iver - It's pretty much a no brainer. This had to be on the list. But here, following Fucked Up's "The Other Shoe," it calms the pace and primes you for the second half.

17. Death Cab For Cutie "Doors Unlocked and Open" from Codes and Keys - The rumors of Ben Gibbard's death were greatly exaggerated. He returned with a strong and pleasing new album in 2011, including this track that bores into your brain like a space slug. Still, it's lamentable that he and Zooey didn't work out.

18. How To Dress Well "Suicide Dream 2: Orchestral Version" from Just Once EP - It's a retread of the track from Love Remains, but the delicate piano, lessened echoes, and more prominent vocals make this version ever more haunting and beautiful.

19. Beirut "Santa Fe" from The Rip Tide - Beirut established some pop cred with The Rip Tide. It's an album that never wavers far from pleasing. And with this song, there's a funky, electronic warble that is both groovin' and completely suitable to their traditional style.

20. Eleanor Friedberger "My Mistakes" from Last Summer - The first time I heard this song I was hooked. It perfectly captures youth turning into reflection. And the quirky Fiery Furnacer's voice is as great as ever. Dig that syncopation.

21. Dirty Gold "California Sunrise" from ROAR - I first heard this track through Turntable.fm. And as I look out at the snow falling past my apartment window, I can only wish that this song will take me away to a warmer place. And despite its sad tones, its goodbye to summer, it's still warmer than now.

22. St. Vincent "Cheerleader" from Strange Mercy - The album is SO GOOD. You need it. You do. And "Cheerleader" is just the track that popped for me the most after the initial loves for "Cruel," "Surgeon" and "Chloe In The Afternoon."

23. Jens Lekman "Waiting for Kirsten" from An Argument With Myself - Jens is in true form here, telling a cute, mostly funny story of waiting for love... with Kirsten Dunst. It's referential, intelligent and tongue in cheek, but always sincere.

24. Lana Del Rey "Video Games" from Lana Del Ray - We've all heard this song a lot. And while it may have reached critical mass in indie circles, it remains one of the best individual pieces of work for the year. It's haunting and honest, heartbreaking and powerful.

25. Feist "How Come You Never Go There" from Metals - Teamed with the great video that came out last month, Feist's return was made ever more triumphant with this instant classic. Leslie Feist is just so great, and this bouncing, understated track just highlights that fact.

26. theendisthebeginning "Tropics" from Tropics - This is what happens when the internet exists. I'd never have heard this band without it. And this full-figured track is the best of their album, but not by an incredible margin. They are worth checking out... but I think I've implied that.

27. Mikey Joseph O'Connor "(Not All) Pretty Blonde Girls are the God Damn Devil" from The Day I Stopped All This - Call me a homer if you wish. Mikey is part of the It's A Thing! podcast, but he also wrote a really, really, incredible song. This is that song.

28. Tom Waits "Kiss Me" from Bad As Me - The wolf with the jazzy clothing returned with one of his best albums ever. "Kiss Me" is the sweet, piano bar, nightclub, smoke-dripping, whiskey-soaked love song we all need a little bit of.

29. The Roots "I Remember" from Undun - One of this year's best albums, by far, came out at the end of the year and produced tons of great tracks. It was very difficult to choose one, but "I Remember" has some excellent vocals and a distinctly delicate feel that just seemed to fit as we close this list out.

30. Oddisee "Skipping Rocks" from Rock Creek Park - The last album I will have reviewed for 2011 features some of the greatest jazz/beat and rhyme work I've heard all year. That said, the mellow, contemplative, enjoyable and peaceful "Skipping Rocks" closes this out... because as much as you'll hate to see this playlist go, you'll love to hear it walk away.

That's it! There's your list. It's Christmas Eve! Merry Christmas, if that's your bag. If it's not, then may all your holidays, travels and quality times be great ones. May love and peace fill your heart. And may you dream of a new year full of possibilities. And if you don't have Spotify, you can find most of the complete list in a streaming grooveshark player... here.
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12.20.2011

Oddisee - Rock Creek Park

Here's another toast to the beauty of the internet! It was by the grace of Amerigo Gazaway's Fela Soul that I came up Oddisee and the grooving, smooth and mellow Rock Creek Park. Having a great network of music, especially artists who aren't immediately recognized by major or even Indie labels, is the soul of the internet music scene. And I have to give a shout out to Mello Music Group's bandcamp set for opening my ears and my proverbial eyes to something truly wonderful. Through 12 tracks, Rock Creek Park provides a seemingly endless store of goodwill, charm and honestly, genuine great feelings. The musical arrangements, complete with horns and strings and some excellent drum beats, are nothing short of perfect. This is an elegant, peaceful album that brings joy every time it plays. And in Oddisee's own words: "This album is my interpretation of [Washington, D.C.'s] Rock Creek Park through break beats, samples & live instrumentation." And the album feels like that. It's a park day album. It is a calming refuge from the hustle of the city and the day's responsibilities. And it's really infectious. Since listening to it the first time, I have chocked at least 5 additional listens (all in a couple of days) and considering how music I find around me all the time, this staying power is a testament to the quality and the beauty of Rock Creek Park.

There isn't a bad track here. And while I could nitpick a phrase or two, I don't have any interest in doing so. Songs like "Skipping Rocks" and "The Carter Barron" create such a chill atmosphere that they're almost impossible not to like. But the kicker, especially with those two tracks, is that they're also incredibly memorable. This isn't just mood music. These aren't just songs that feel good but digest faster than Chinese food. They stick with you. For all of the light pleasure inside, they're still stick-to-your-ribs music. The break-beat, funky, horn-strewn "Scenic Route to You" is brilliant and bass-heavy. The delicate and jazzy "All Along the River" feels like a careful prance along the banks that leads you to the dancier "Uptown Cabaret." And as I said, there's just not a bad piece to this pie. "Clara Barton" and "Beach Dr." are both stellar. But "Mattered Much" may be the best of the final 5. It just seethes with jazzy passion and quiet joy. And there's a little bit of something I've heard before in there. Ultimately, Rock Creek Park is an album that takes the Jazz Fusion of late Miles Davis to another level, but it's never inaccessible or problematic. It's just really, very fucking good.

The final two tracks, one a lyric'd version of "Mattered Much" featuring Olivier Daysoul, and the closer "For Certain" featuring Diamond District are two epic ways to end this already chill and exceptional set. The quality rhymes and pacing guide you to the inevitable silence when the music ends, and leave you feeling empowered, refreshed and positive. It's just good shit. That's it. Just good shit. You should listen to this. And then buy it. Paying a mere $7.99 for this is a steal. And I'm sure you'll find yourself listening to it time and time again. Check it out here. And then go to the bandcamp site.


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